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Rediscovering Curiosity in Lockdown Life
All images by Lewis and Jessica Townsend

All images by Lewis and Jessica Townsend

I’ve lived in this same spot in the Lincolnshire Wolds for over half my life, and I’ve KNOWN it is beautiful, sometimes I’ve even looked at it or walked amongst it. But somehow it has taken the enforcement of lockdown to reignite my curiosity and actually appreciate all that is on my doorstep.

With a dog for the last 5 years a daily walk is nothing new, but it had become a time where I would walk through fields upon fields and still my mind would be elsewhere - working or planning. With my husband in tow now he is home too, I find we are looking up, looking around, and seeking to find those little changes in nature happening every day.

Have the swallows arrived? Was that a swift? What blossom is that? What smell is that? Can you hear the sound of the bird that always calls to us from the third tree on the left?

We have become more inquisitive because, for the foreseeable at least, there is nothing beyond this stretch of fields, this little wood, and that tiny stream. Instead of feeling confined and disappointed we cannot explore further, we are instead compelled to explore deeper, and finding it all the richer for looking.

The joy of doing this together has become a silver lining of this time too. Whether it is our walk beneath ever-changing skies, a few hours tinkering in the garden, or moments spent in companionable silence as we eat our evening meal, the fact that we are actually together all day has made us take notice of each other more too.

There is so much sadness and anxiety surrounding us right now, but that does not mean we cannot look for and enjoy what unexpected happiness we can. The one constant in life is that everything must change, and soon our lives may begin to follow our old routines once more. But this time has taught me that I want to enjoy these quiet moments of curiosity every day. When life inevitably moves on, I am determined to take that with me too.


Jessica Townsend creates slow and sustainable fashion at House of Flint. Follow her behind-the-scenes on Instagram here.

Creative in the Countryside: Felted Sheepskins

Rosie Anderson, along with her Mum, makes ‘felted sheepskins’ from her farm in rural Devon. We talk to Rosie about her creative business and all that being a creative independent entails. 

Firstly, could you tell us a bit about yourself and Felted Sheepskins?

My Mum and I make ‘Felted Sheepskins’. Felted sheepskins are 100% wool and have no skin. They are sheep-friendly because we only use the shorn fleece to make them. They are also self-renewing as a single sheep will provide us with a new fleece each year. 

I live on a smallholding just on the Devon and Cornwall border and started keeping sheep about five years ago. We needed sheep to graze the land so we bought our first flock – 17 Whiteface Dartmoor ewes. Felted Sheepskins was then created out of a need to add value to keeping the sheep whilst maintaining a creative existence. Since then my flock has expanded and I breed specifically for unique and interesting fleece.

What’s unique about the brand? 

Felted Sheepskins is great for people who love the look and feel of traditional sheepskins but don’t necessarily like the idea of where they come from. People can buy felted sheepskins in the knowledge they are made from animals that are well cared for and that they are made in a sustainable way. In fact, they couldn’t be more natural and I am proud to produce something that is not only really beautiful and practical but something that doesn’t leave an environmental footprint and is animal friendly.

Can you give us an insight into the process of making felted sheepskins? 

It’s really simple in terms of raw materials. All we use is wool, olive soap and water. We take the whole fleece just as it has come off the sheep. We then shape it and add an extra layer of wool on the back to create a felt backing. This is what holds the fleece together. It’s then a process of adding water, soap and agitation. It’s almost like magic the way it works. They are then washed, dried and perfected by tweaking and brushing.

How did you learn the process?  

My husband’s aunt who comes from the Isle of Arran taught us the basic process. She is a very experienced felt maker but she had only ever made a few of these rugs quite some time ago. She came to Devon and taught us what she knew. Since then it’s been a process of trial and error. No two fleeces are the same so it’s a constant learning process.

What's been your favourite commission so far?

We have done a few commissions. It is really nice working with other smallholders as they appreciate the qualities of fleece and have a real love for their sheep. My favourite thing is receiving positive feedback from clients, which makes all the effort seem worthwhile.

Describe your workspace:

I am so lucky to have a great workspace. I was able to roughly convert a bit of barn space into a workshop. It’s just across the yard from my house and is quite rustic. Making the felted sheepskins is a messy process but it has everything I need. It has an old butler sink in the corner, which I reclaimed from the garden, a radio, and a huge window overlooking the countryside. I’m able to work with the sheep fleece whilst looking at the same sheep still wandering around in the fields – that feels good. In the middle of the space sits a huge table where everything is made. I have a corner of the room where I can photograph my finished products. It’s generally pretty messy – I’m not a tidy person and there is always a dog asleep in the corner keeping me company.


Are there any challenges you face running a small independent business in Devon?

It can feel quite isolating and you have to work hard to get the product out there to reach the right audience - I think that’s the hardest part. Being a maker comes naturally but you also have to be a social media expert, salesperson, photographer, business-minded, accountant, writer, and in my case, a farmer. Making is the fun bit but it is really only a small part of the bigger picture.

 What impact would you like to create with your work?

I guess I’d like my work to have an environmental impact as an alternative to a real sheepskin, which are made with harmful chemicals. I’d like to spread the word about wool and what an amazingly natural product it is in a world full of micro plastics.


Find out more by exploring the felted sheepskins website here.


Joele Forrester is a digital journalist living in Bristol, although she always makes time to go back to her Dartmoor roots and enjoy the little things in life. When away from the office, you’ll find her walking in the woods, exploring new places close to home or flicking through independent magazines in coffee shops. Follow her on instagram and twitter.

Connecting to Your Circadian Rhythm
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What is a circadian rhythm?

Circadian rhythm refers to a (roughly) 24 hour cycle in the biological process of any living thing (plant, animal, human etc.). It governs when we feel hungry, tired, energetic, and runs in the background of your everyday.

Your circadian rhythm is controlled primarily by your brain, but external factors do have some sway: if you are sleep-deprived, for instance, you will feel more affected by your circadian rhythm (for example feeling hungrier at lunch time); light can also affect your circadian rhythm, and plays an important part in resetting the cycle. There is much that still remains unknown about circadian rhythm, but what is certain is its impact on our daily lives.

How can we reconnect to our circadian rhythm?

Have you ever had one of those days(/weeks/months) when you feel like something is off kilter, but can’t quite put your finger on it? Perhaps you feel particularly tired for no apparent reason, or your motivation levels have hit rock bottom. Now consider: did you go to bed, or wake, at a different time? Did the clocks recently change, moving forward or back an hour? Have you spent much time outdoors today? All of these can impact our circadian rhythm, bringing about that feeling that something isn’t quite right. So how can we reconnect and realign our circadian rhythm?

Turn off the lights. After sunset, exposure to electronic light can negatively impact our circadian rhythm, increasing our energy levels when we should be winding down. Try not to use your phone or laptop after this time, and use natural light (candles, firelight) instead, which seems not to have such a big impact.

Increase your exposure to natural light in the day, and especially in the morning. Exposure to sunlight in the first two hours of waking has been shown to help reset our circadian clock, and has the added benefit of increasing our energy levels and improving our mood during the day. As little as 15 minutes spent outdoors should do the trick.

Go to bed and wake up at the same time each day. If you can’t commit to these changes on a daily basis, choosing to reset every month also has a positive impact. For example, if you spend an entire weekend away from electronics and electric light, spending as much time outdoors as possible (camping, perhaps?) you will feel similar benefits and your circadian rhythm will begin to realign to the earth’s natural light/dark cycle.

Magic on a Dull Day
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You wake to darkness, the norm of late, as these wintry days fail to lengthen at the speed you would wish. Surfacing from the cosiness of the duvet seems like utter torture at this point, but you roll out nonetheless.

Hot breakfast is a must, never mind how many jumpers you’ve already draped about you, and as you curl yourself around your second steaming coffee, the day finally begins to dawn, and creep into the corners of the window.

The patch of light is colourless, dull, grey - with the promise that the day to come will be much the same. Will it rain? Perhaps. But it seems to be an entirely nothing sky at this point, no dramatic clouds or flights of birds in sight.

The dog is hinting at your knee so you head to the fields regardless, intending to keep your mind firmly in the warm kitchen while the dog has her fun.

When you step outside the day is as dull and cold as expected. You wrap your scarf tightly across your face to save it from the biting chill. A flash of purple reaches your eye, but you’re dragged along too quick to try a second glance.

The footpath ahead is hidden by a crowd of trees, but even their evergreen garb has lost its lustre today. And yet…

As you step beneath a low branch a riot of colour fills your vision: the crocuses have arrived!

A sea of purple and gold lays at your feet and your heart can’t help but warm at the sight. What is it about the sight of these first flowers that can bring such joy? Perhaps it is because, despite the cold, they have fought their way through the frosty earth to bring a touch of magic to a dull and otherwise grey day.

You stay with this vibrant scene far longer than you thought the cold would allow, and as you finally start the return to home, the rest of the world seems brighter too.


I wrote this after stumbling across my first crocus this year. Despite only finding one lonely bloom, it really made my day!


JESSICA TOWNSEND CREATES SLOW AND SUSTAINABLE FASHION AT HOUSE OF FLINT. FOLLOW HER BEHIND-THE-SCENES ON INSTAGRAM HERE.

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The Impact of Nature and the Seasons on Creativity

There has always been an ebb and flow to my creativity. I either go completely bonkers with it and barely remember to eat and sleep, or I go the other way and struggle to muster one creative thought in my head. I never used to pay attention to when or why this was, I just assumed it would change or settle eventually, perhaps when my student days were done.

Despite my brief foray into education once more for my masters, I can safely say I have not been a true student for some time, and yet the ebb and flow continues as ever. What has changed is my perception of it. Day to day we all have moments of energy and clarity in what we are doing, just as we all have moments filled with an utter lack of motivation. But I have realised that, for me, there is a bigger picture to take into account: the seasons.

Currently we are in the midst of winter, and in all honesty it has been an almighty struggle for me to get through. In the build up to Christmas I was finishing orders, making presents and running on so much adrenaline I was practically flying. Then came a moment of rest and the inevitable exhaustion hit. Hard. I have been trying to pick myself up again ever since and just not quite managed it. The urge to stay cosy and comfortable has spread beyond my body and to my mind - I just can’t bring myself to think about anything that will require me finding that kind of energy again, the thought itself exhausts me.

Then hope arrived with the sight of a snowdrop.

That first indication that winter will end reminded me that this feeling too will not last. The tendrils of creativity begin to work their way through my mind as I walk among these tiny flowers, and I find myself able to think about projects that have only scared me the last few weeks.

The New Year has never been a good time for me to start new projects or make plans, but spring is so full of new beginnings I cannot help but be enlivened and inspired to start some of my own. Summer has, in the past, been a time of great productivity, running free with the ideas from previous months, and autumn becomes a time of reflection. But I have realised that this first month or so of the year will never be my friend creatively, so why force it? Instead I have focused on other areas in my life, using the time to make a different kind of plan, and knowing that all to soon I will be going bonkers in the studio once more.


JESSICA TOWNSEND CREATES SLOW AND SUSTAINABLE FASHION AT HOUSE OF FLINT. FOLLOW HER BEHIND-THE-SCENES ON INSTAGRAM HERE.

Rewild & Slow
Image: Annie Spratt via Unsplash

Image: Annie Spratt via Unsplash

Today’s blog post was also shared as part of a new, free community project I launched this month. Rewild & Slow is a way of sharing nature-led wisdom from folk inspired by the wild and the natural world in some way. The idea came to me in December last year when I was trying to figure out a way to begin the year, and the decade, with intention, but also in a way that embraced community and connection. If you’d like to sign up for the project and access future contributions, plus all those shared so far, you can do so by signing up to the newsletter here.

For a long time I didn’t know what I wanted to do with my life. When I was at primary school, I remember very clearly a vision I had of myself in a white school shirt sat at a desk doing some writing for secondary school; I couldn’t wait to get older and start that adrenaline-fuelled new phase of my academic life. Of course, once you’re in it, once you’re there doing the work, writing the essays late at night, revising for GCSEs and A-levels, it isn’t quite as glamorous, and so the vision evolved; a smart black dress, heels, and a job writing for a magazine, something akin to those female writers you would see in films circa 2002, going out, enjoying life, and a column of my very own.

If you’d have told that teenage girl she’d end up living in a tent and growing her own veg, she’d never have believed you, and she wouldn’t have wanted to; like most teenage girls, she was working towards a goal unintentionally disparate from her childhood and all she had come to know.

It took a short-lived teaching career, a stint living in a busy town, and a descent into debt for me to realise that there had to be another way, one that I carved out for myself that didn’t necessarily follow a prescribed path. Gradually I began to rewild and slow this busy, corporate existence, returning to the values and approach my family had been peddling all along; their surprise at how quickly my life changed was palpable. 

But what does it mean to rewild? What does it even look like?

The term ‘rewild’ appeared somewhere between 1980 and 1985, just before the internet, smart phones and modern technology began to underpin everything we do. It gained traction in 2013 when George Monbiot wrote the book Feral: Rewilding the Land, Sea and Human Life. It explores in detail the approach to rewilding many of us are familiar with - that of restoring an area of land to its natural, uncultivated state, and which specifically references the reintroduction of species of wild animal that have been driven out.  But he also remarks: “there are two definitions of rewilding that interest me. The second is the rewilding of human life. While some primitivists see a conflict between the civilised and the wild, the rewilding I envisage has nothing to do with shedding civilization. We can, I believe, enjoy the benefits of advanced technology while also enjoying, if we choose, a life richer in adventure and surprise. Rewilding is not about abandoning civilization but about enhancing it. It is to ‘love not man the less, but Nature more’.”

This is the rewilding that this project will focus on. This is the rewilding that I myself went through, and what I believe is the lynch-pin of humanity’s future; if we are to reverse climate change and protect the earth, the first step is to ensure that people care about it. And when you are connected to something, you are much more likely to care.

My own rewilding process took many different turns; I began by throwing myself at ancient nature-inspired crafts, growing my own veg, foraging for berries, and walking daily. Living in a tent for a year provided a unique opportunity to connect on a much deeper level with wildlife, weather and seasonal change, and even though now we live in a more traditional bricks and mortar home, I can still use the tools and techniques I developed during those twelve months to connect with nature and the earth on a daily basis.

Some days, that might look like escaping for a two hour walk with family, playing with my son in the mud, writing outside in the top field, planting some lettuce seeds and doing a bit of outdoor yoga. But those days, I assure you, are the exception to the rule, and most of the time I just do the best I can. 10 minutes here. 20 minutes there. That’s been a learning curve these past few years too; that it doesn’t have to look perfect, and that I don’t have to be outside at every possible moment of the day. Sometimes, I want to curl up indoors too, and although getting outside and reconnecting with nature always, always feels good, sometimes it’s too much of an effort to get out. And that’s ok. This project will hopefully inspire you to start or continue your own rewilding journey, to connect with nature even more than you do right now, but it should never be another stick for beating yourself with. The world doesn’t need a small number of people rewilding perfectly; it needs a whole lot of us rewilding, reconnecting, in the best way we can. 

So that’s rewild. Now what about slow?

I first started writing about slow living around six years ago. It wasn’t a phrase that was very well-known, and people didn’t really know what it was. But in the past few years, it has exploded and become quite an aspirational lifestyle approach, often stereotypically associated with linen dresses, freshly-ground coffee and old books. Don’t get me wrong, I love all those things, but for me slow living has nothing to do with any of them.

Slow living began with the Slow Food movement. It was, and I quote from slowfood.com “started by Carlo Petrini and a group of activists in the 1980s with the initial aim to defend regional traditions, good food, gastronomic pleasure and a slow pace of life. In over two decades of history, the movement has evolved to embrace a comprehensive approach to food that recognizes the strong connections between plate, planet, people, politics and culture.”

It evolved - slowly, of course - and gradually other elements began to appear - slow work, slow exercise, slow living. In 2004, a pivotal text in the ‘slow’ movement was published - In Praise of Slow by Carl Honore. In this book - which I highly recommend - Honore - avoids the, perhaps expected, calls to overthrow technology and seek a preindustrial utopia. Instead the book offers a different philosophy - balance. Discovering energy and efficiency from slowing down. Slow does not simply mean slowing down.

I wrote a blog post almost 5 years ago now, all about slow living and the impact it had on me, and I thought I’d share an extract, as it’s still as relevant now as it was half a decade ago. 

"I recently reached a point in my life where my to-do list was never-ending and I prioritised by simply choosing the most pressing deadline and ploughing through. At the end of the day I would collapse into a heap on the sofa and waste a few hours trying to regain some semblance of a life. I'd wake feeling fatigued and irritable and would haul myself upstairs to bed before starting all over again; no matter how many good intentions I'd have to escape from my stupor and actually do something, things never seemed to work that way.

When I first discovered the concept of slow living I disregarded the idea, believing naïvely that there was no hope for me to ever live this way because I simply had too much to do, too much to fit in, and there just wasn't enough time in the day to slow anything down. What I didn't know, is that this is the kind of lifestyle primed for a change to slow living.

There will never be enough hours in the day, but we can shape and mould the time we have according to our wishes and desires, and once we can do that, we're able to live more slowly, mindfully and with care.

My approach to slow living is a little different to the norm in that it begins (a pre-process, if you like) with organisation. I've found that cementing routines and plans in place to be essential in beginning to live a slow life that actually has a lot going on. Running a home, working 9-5, seeing family and friends, running Creative Countryside - it doesn't sound like I'm living a slow life! But I am.

Every day I take time to connect with the natural world. I'm able to enjoy the process of cooking and eating rather than rush through it with a panicked notion of running out of time. Sometimes I'll even take the day off. All of this is only possible, though, because I did the work beforehand: I set up meal planning spreadsheets, streamlined my wardrobe and set goals that allowed me to focus on exactly what I wanted to achieve. Following this process took a little while, but good things come to those who wait, and once I'd got to the point where everything was set up and I'd designed my lifestyle to look how I wanted it to look, I could truly say I had embraced slow living."


I wanted to share this post to remind myself as much as you, that going slow is a process. For me it’s intrinsically linked with rewilding and reconnecting with nature, as those are the elements of my life I consciously choose to focus on, to include mindfully and with care. But in order to do that I make sacrifices in other parts of my life; I don’t go out and socialise all that often, we don’t spend tons of money on clothes and so on, but that doesn’t mean your life should look that way too. It could, but that’s not what rewild and slow means. 

I hope that throughout the duration of this project you’ll see how this concept can appear in a myriad of different ways in people’s lives. And I hope it will inspire and encourage you to begin or continue on your own journey of reconnection with the yourself and the natural world.

Winter Wellbeing
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The nights are long, and the days so much shorter. The skies hang grey over our heads with a weak sun doing little to warm us. Winter can take its toll on us both mentally and physically, leaving us feeling unwell in more ways than one. Follow these tips for an easier route to wellness this season…

Spices

Your kitchen cupboard can hold the cure to many a bout of cold and flu. Try a combination of turmeric and cinnamon for their fantastic anti-inflammatory qualities. A little cinnamon in your coffee is a tasty way to start the day off right, and turmeric is a traditional staple in Chinese and Indian medicine. Read more here about what remedies your spice-rack holds.

Sleep

Take advantage of those long nights and do as nature does - rest. The shorter hours of daylight mean our bodies natural rhythm adjusts, don’t fight it if you can help it.

Mushrooms

Cook with mushrooms for some immune boosting benefits - white button and shitake especially. These stuffed mushrooms look delicious!

Relaxation

Deep rest and relaxation is a great contributor to wellbeing. Here, Elizabeth guides us into Yogic Sleep for a short restorative period of deep rest that will leave you refreshed - a quick way to incorporate relaxation into your busy week.

Oils

Massaging essential oils into your skin can provide a perfect winter pick-me-up. Uplift your spirit with rose, enliven with geranium leaf, relax your muscles with peppermint and use lavender for a calm unwind for bedtime. Take time massaging them into your skin, they’re also a great moisturiser.

Laughter

Finally, find time to do something that makes you laugh! Important for any season, any month, any day - keep happy, keep well.

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Jessica Townsend creates slow and sustainable fashion at House of Flint. Follow her behind-the-scenes on Instagram here.

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The Folklore of Snowdrops
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A tiny, fragile milk-flower clustered resolutely in the bitter and frosted winter’s soil - bringer of hope to some yet loathed by so many. Believed by some to have been brought to England by monks, the humble Snowdrop hails from the mountainous Alpine regions where the world is much colder and winters much harsher. Today, although not native to this country it’s commonly found in the British Isles, rearing it’s pearly head in time to coincide with celebration of Imbolc/Candlemass around the beginning of February;

‘The snowdrop, in purest white arraie,

First rears her hedde on Candlemas daie.

While the Crocus hastens to the shrine
Of Primrose lone on St Valentine.’ 

-an excerpt from an Old English floral calendar dating back to the 19th century.

One of my preferred folklores that surrounds the plant is an ancient German tale;

At the beginning of all things when life was new, the Snow sought to borrow a colour. The flowers were much admired by all the elements but they guarded their colour’s jealousy and when the Snow pleaded with them, they turned their backs in contempt for they believed the Snow cold and unpleasant. The tiny humble snowdrops took pity on the Snow for none of the other flowers had shown it any kindness and so they came forth and offered up to the Snow their colour.

The Snow gratefully accepted and became white forevermore, just like the Snowdrops. In its gratitude, the Snow permitted the little pearly flowers the protection to appear in winter, to be impervious to the ice and bitter chill. From then on, the Snow and the Snowdrops coexisted side by side as friends.

Fascinating little flowers, according to hearsay the plants are able to generate their own heat, however, there’s little in the way of proof. Known to have medicinal properties, the Galanthus nivalis currently being used in treatment for Alzheimer's. Their Latin name is dreadfully pretty as it translates as ‘Milkflower of the snow’ - this is possibly my favourite variant on the name as well as a Welsh word for them, ‘Eirlys’ which translates as ‘Snow Lilly.’

A much-adored sight around the bleak late winter days in modern day Britain, the ‘Fair Maid of February’ as they are also known, favour shady areas such as woodlands and are perhaps most notably and somewhat grimly found clustered upon graves and carpeting the floors of Britain’s churchyards. Perhaps this is the reason for some darker lore that surrounds the Snowdrops; for some say that they are an omen of death.

In Victorian superstition, it’s told that you must never bring the Snowdrop into the house for that will bring ill-fortune and in some more extreme versions of the tale, death will occur in the family within the year. Many cling to and practice this superstition still claiming resolutely that a plucked snowdrop brought upon their threshold was the reason they were widowed. Other old English superstitions dictate that by bringing in a Snowdrop, the milk will turn sour and eggs shall spoil. I’d rather not believe that picking this beautiful little flower would be a bringer of ills and sadness, however it’s most probably for the best that it’s not plucked from its roots and taken indoors where it’ll only wither but instead left with its fellows, creating a wondrous blanket of white across the woodlands and churchyards.

Better than a bringer of death is the flower’s associations as a bringer of hope and purity; the green coloured stem of the snowdrop symbolises and links with the Pagan ideals of health and wellbeing whilst the white symbolises the light of the winter sun which is now beginning to grow stronger as the days lengthen.

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One of the most popularly documented stories surrounding the origins of the Snowdrop is actually a Christian creation tale. It tells of the moments following Adam & Eve’s exile from the garden of Eden where hopeless and dejected, they shiver as the snows swirl around them and the frost bites at their toes. An Angel descends from the Heavens to relate the message that Eden is no longer their privilege and that they must swiftly move on. Frightened and awed by the Angel and apprehensive of the nameless world that lies beyond, Adam and Eve take each other's hand and wander towards the unfamiliar and cruel new lands, heads bowed and tearful.

It is here that the Angel feels deep sorrow in his heart so he reaches out a hand where the soft snowfall lands in its perfect kaleidoscope of shapes, twinkling crystals in his palm; perfect and unmelting. The Angel brings the snowflakes to his face and breaths upon them, transforming the glittering ice into soft, pearly flowers; the first Snowdrops. “Take these little flowers,” says the Angel to Adam and Eve, “take them as a sign of hope. A sign for your kind and for the earth outside.” The Angel casts the tiny flowers into a halo that surrounds the two people and they carry this blessing of hope with them out into the world beyond.

Whether you believe the many dark superstitions that surround this flower or not, you cannot deny that it is a messenger of the seasons, that the darkest moment of winter has passed and that there are happenings of life in the roots beneath the earth; spring is imminent.

The Scottish poet George Wilson concludes his poem ‘The Origin of the snowdrop’ with the lines;

"And thus the snowdrop, like the bow
That spans the cloudy sky,
Becomes a symbol whence we know
That brighter days are nigh ; ”

Sarah PorteusHomepage
An Eye On The Wind
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‘Weather cannot be divorced from the outdoors experience and nor should it be.’ Tristan Gooley

If you’re someone who spends time outside in the UK then you’ll be acutely aware of the weather. We have to be because it can determine if a day goes to plan or not and more than once I’ve wished I could enjoy the outdoors without the elements but as Gooley says, we shouldn’t. With a little understanding and patience, the elements can yield clues for navigating. Yes, we have maps, GPS, and even our phones so we’re not reliant on natural navigation anymore but there’s still value in observing how the natural world is behaving around us.

It’s essential to observe the weather from the outset of your journey because often clues are in the changes. If you don’t know which way the wind was blowing an hour ago, you won’t know it’s turned.

In fact, wind direction is a great place to start. The ancient Greek name for different winds was interchangeable with the direction they came from; for example, Boreas, the name for the cold wind from the north (and the God of winter) could be used to mean the direction north. In the ancient world the characteristics of a wind would be analysed to detect from where it blew but in modern times we’ve flipped this so we look at the direction to try and predict what’s coming. Where a wind comes from gives us clues about what it might bring with it. A westerly wind coming off the sea will bring damp, maybe rain. As we saw last year, a southerly wind can turn the sky orange with Saharan dust while also bringing heat and dry air.

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Historically the clarity of air has been used to predict weather too. The sky appears a darker shade of blue when the air is extremely dry or at high altitude because the short waves of blue light aren’t being scattered by clouds or pollutants in the atmosphere. The Polynesians used the twinkling of the stars to judge weather conditions, as twinkling is caused by wispy cirrus clouds high in the atmosphere.

While this all sounds more like weather forecasting than navigation, they are incredibly closely linked. If you can tell where the wind comes from and what it might have encountered on its way, i.e. mountains or sea, from the weather it brings, then you can learn about a landscape even if you can’t see it.

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If you know the prevailing wind direction of a place then natural features become points on a vast compass. Trees bent like cartoon hags go with the direction of the prevailing wind and are easy to spot. More subtle is the weathering of a hill or mountainside. The slope facing into the wind (windward) might have less vegetation, smoother rock, and curves while the sheltered side (leeward) will gather dust, leaves and shingle and will usually be dryer than the windward side.   

While this is only a small introduction to a huge topic, winter is a fantastic time to tune into nature. Start small, notice changes in the wind while out walking and slowly you’ll become more perceptive.

Happy navigating!

Melissa DaviesHomepage