Jessica : I am also interested in knowing more about how you view creativity; is it something you can now rely on every day? How do you balance your varied interests?
Deb : I have become much more creative since the brain injury. I attribute that partly to my increased awareness of and attention to detail, but I also believe that it has something to do with the rewiring of my brain as it healed.
Pre-injury, I was primarily a linear thinker, and my thought process usually took me directly from point A to point B. My brain injury damaged my ability to think sequentially, in this linear fashion. As my brain learned to work around the damage, I found myself thinking more visually and using more intuition, so I now have access to a broader range of thinking styles.
Between the different thinking styles I now employ, my brain injury-induced short attention span, and my need to live at a slower pace, I often find myself straying off the path, leading me in interesting directions, guiding me towards new ideas.
Whenever I sit down to create, whether it is to write, knit, spin, or weave, I frequently find myself changing directions, changing the story line, manipulating colours, playing with patterns.
My full time job as a mathematician takes up a lot of my time. In the past it was one of my top priorities. After a day of teaching, I’d come home to work on other aspects of mathematics. Now, prone to fatigue, I spend less time at the office and play catch-up at home. However, I spend much of my time at home on creating. Writing is very much a priority, and textile arts are next on the list. I try to write every day, in the morning before I go to work and in the afternoon after I come home. When it comes to the textile arts, I go in phases, spending more time on them when I have met math- and writing-related deadlines.
Jessica : Where do you work? What’s important about your work space?
Deb : When my son left home, I transformed his room into an office, which is where I write. The first piece of furniture I lugged there (with my son’s help) was a wooden desk I bought more than two decades ago. Much cherished, it has accompanied me through four moves. Until it found a home in my office, I had to share it with my now ex-husband and my kids. Finally, it is all mine, everything on it arranged the way I like.
The entire space is arranged to be aesthetically pleasing and to serve my needs as a writer: my laptop perched on a pile of books so the screen is at eye level, a separate keyboard positioned such that I can type with elbows bent at a good angle, a bookcase filled with books that aid me in my writing (sources of information about ethnic textiles and about writing techniques), a printer to the right of my desk, and a bed for my dog to lie on beside me when I write.
The floor loom I weave on most frequently sits in a living room corner, angled to give me the feeling of space around me. To the right of it I have a bookcase filled with books about practicing fiber arts, knitting, crochet, spinning yarn, felting, and surface design. To the left of the loom, I have a comfortable seat I can sink into when I knit or spin yarn. It faces the interior of room so I can be part of the activities around me, watching TV or chatting with family and friends—I can knit and spin by feel, so I can divide my attention.