On the journal today, we talk to Kate a ceramic artist. Watch our for her increbible conker masterpieces - a perfect seasonal orement.
CC: Tell us about Kate Luck Ceramics and the journey you took to starting your own business?
K: I studied Ceramic Design at Central St Martins and decided to specialise in mould making and slip casting. I graduated without a product I wanted to sell but certain that I was made to make. Graduating in 2009, I walked straight in to a recession. The arts had been severely cut back and there were no jobs.
I went on to do an amazing apprenticeship with a master mould maker. After my year as an apprentice and a further two years working as an assistant to a couple of ceramicists, I learned of an incubator ceramics studio in North London, near where I lived. With no plan I joined the studio in September 2011, within three years I became the studio manager for twenty five ceramicists.
I started up a Facebook page and blog advertising my mould making and batch production casting service and the commissions came rolling in. For six years I worked on a wide variety of amazing commissions from replicas for Hampton Court Palace to chandeliers and sculptures.
After getting married and moving to rural Bedfordshire, I knew that the time was right to leave production work behind and start making my own work. I have been working on my own collection of porcelain wall sculptures for the last year. My seasonal designs seek to capture childhood memories and family stories in nature, gently reminding us to celebrate the simple pleasures in life.
CC: I know your work is inspired by family stories, magic and nature. Can you tell us why nature is so important to you, and how it influences the way you live and work?
K:My maternal family comes from Anglesey, a small island off the north coast of Wales. Most of our school holidays would involve a trip to Anglesey. Our holidays there were centred on time outdoors no matter what the weather, whether that was beachcombing and skimming stones or climbing trees in woodland covered in lush wild garlic.
En route to Anglesey we would drive through Snowdonia National Park and I grew up in awe of those mountains. Even now every drive through the mountains replenishes my soul. There is something special about the magnitude of nature that heals, grounds and balances me. I turn to nature to remind me that I am just passing through and unlike the mountains I’m not permanent. Nature has a way of giving me perspective.
In 2012 I lost my paternal Grandmother and father to cancer in one week. When it was close to the end, the simple little pleasures we could find from each day became very important. I would bring my father blackberries picked from the garden and he would savour each one. One of my last memories is wheeling my father outside to breathe in the smell of summer rain on hot earth.
The power of these little simple pleasures has stayed with me ever since. When the world seems tough and problems seem to mount up around me, nature reminds me to take time to reflect and refocus on what it is that I truly need. There’s a quote that says it is impossible to walk in the woods and be in a bad mood at the same time, I find this to be true. Nature is my councilor.
CC:I’d love to know what has been the biggest challenge, and the best surprise in running your own business?
K:In the last year the biggest challenge has been switching from a service-based business to a product-based business. I’m still learning and navigating how to approach and gain new stockists and how to sell my work online.
I find that running a creative business is somewhat of an organic process; things do take time and evolve naturally. Despite the new challenges I am facing, it was certainly the right decision for my creativity and I am enjoying the transition.
I think the biggest surprise is probably how much resilience running your own business requires. You need to have so much inner strength to pursue your dreams, pushing onwards even when it seems impossible just because you know that is the route to your true happiness.
CC:Can you tell us about your home, your workspace, and what a typical day for you looks like?
K: I moved to Bedfordshire almost a year ago and it was one of the best decisions my husband and I have ever made. We love the country life and it’s been a real joy discovering our local area over the seasons. I’m very lucky that I have a studio in my garden, but that doesn’t mean I don’t walk to work!
A typical day starts with taking my fox red Labrador Rupert for a good walk over the fields and around the lakes near us. I find it’s a great way to set me up for the day, plan what I need to achieve as well as being a great source of inspiration. I usually always snap a picture of something that catches my eye. Once home it’s kettle on and time to head to the studio to start the working day.
In the studio it’s usually classical music on the radio that fuels my mornings as I get all my emails and social media done and then I flip to an audio book ready to crack on with making undisturbed for the rest of the day. Making days have their own natural rhythm and pattern that add up resulting in a finished piece, it’s a very fluid process of both planning and responding to what needs to be done.
The vast majority of success when working with clay, unlike many other organic materials, is timing. Certain things must be done at certain times, too wet and the shape could collapse, too dry and it can crack. It’s the most instinctual part of my job, working according to what feels right.
CC:When you aren’t working on your business, how do you enjoy spending your time?
K: Having adventures with my husband and our dog Rupert takes up a lot of my free time and takes us to some fantastic places. Some of the best times we share as a little family are weekend walks, no phones, just holding hands walking the dog, talking about everything and nothing, letting the surroundings wash over us. After a really muddy or crisply cold Autumn walk there’s nothing I like more than an afternoon snuggled up on the sofa watching films with a roaring fire going.
Together, my husband and I are avid travellers and really enjoy exploring new and obscure places whenever we can. Instead of giving each other gifts we usually take each other away, as we feel memoires last longer than possessions. We usually choose somewhere near mountains where we can just hike and explore, the wonder of our beautiful planet never ceases to amaze me.
CC: And lastly, if someone reading your story were inspired to follow their own creative dream, what advice would you give them?
In a world connected by social media, the pursuit of perfection, branding and creating an image, comparison is a toxic inevitability. So my advice would be to believe in the validity of your dreams. Your dream is valid because of you, and that validity is not based on or determined by how many likes or shares you get.
Something I do to combat the toxic effects of comparing myself to others is to write down goals I want to achieve in my business at the start of each year. It helps give a focus to your work and a sense of achievement when you have fulfilled them.
The other exercise that I think is especially important is to define what success looks like for you, success doesn’t always need a financial focus. So define your success and go for it, reach for it and believe in it.